How To Capture A Critter (in pixels)

I'm often asked how I'm able to capture animals in different behaviors, which is great, because that is my goal. Too many times we see nice photographs of different bird species, or mammals in side profiles, looking rather flat. The pictures don't evoke any kind of emotion from the viewer. These pix are great if you are trying to make identification catalogs, or if you are creating a pictoral bird life list.
My goal, as a wildlife photographer, is to make you feel something compelling when you view the photo. It may not be a thousand words the story of the photo tells, but it should move you in some way.
My best advice is to shoot, shoot, shoot. To really get good results you have to be around your subjects a lot and know what to expect. Learn how they commonly behave in their environments. When you get to a point when you can half-way figure out what they will do next, you'll be able to be prepared for that money shot.
Much of the time, I find a location where birds or other animals are active, and settle in. I may sit for an hour to get the critter used to my presence. I make no quick movements and pretend not to notice them and they seem to become less wary and go about their business. Once they have accepted the fact that you are not a threat, you will get much better results.
As you are beginning, go to parks, zoos, and places where animals are used to human presence. They almost become tame, at least enough for you to get close. This is great practice for the beginner, or even if you just feel that need to get out and shoot, and can get some absolutely stunning pictures. Even squirrels in your back yard are fair game. And they are some of the most photogenic animals around.
When you go to more remote areas to find subjects, you really have to put in your peepers. Don't pass by potential masterpieces. Walk slowly and look around you everywhere. I can't tell you how many times I have gotten a really nice picture of something 20 people have just passed by, not even realizing what they've missed. To see an American Bittern, you have to be very attentive. They blend in and stay very still.
One last thing. There is no shame in noticing what other photographers are looking at. And I've never met one yet (I'm sure I will someday) who has not been pleasant, informative and even helpful in getting me in positions for nice shots. If you strike up a conversation, you may even be able to find out where other great opportunities exist. Many times I will be told where such and such is located this morning. Networking is a beautiful thing.
You may also opt to use blinds and baits to attract subject to you. I don't use those methods. I have enough gear to carry and really want to feel like I've made a legit capture. There are some very nice pictures obtained in this way, however. Never say never.
Until next time.